Nusraat Faria was admitted to the hospital on Thursday around 11 pm due to severe illness, rendering her unconscious. Her physical condition showed slight improvement after receiving overnight treatment, leading to her return home on Friday afternoon.

Faria’s mother, Ferdousi Parveen, shared with the media that the actress has returned home. She noted a slight improvement in Faria’s condition l, compared to when she was admitted to the hospital last night. Despite the scheduled CT scan, there were no duty doctors available on Friday.

Due to the actress’s ongoing physical illness and mental strain, the CT scan has been rescheduled for two days later. Her mother mentioned that the actress has not consumed any food since yesterday when she was only given saline.

Nusraat Faria has been tirelessly working alone day and night in recent months. According to her mother, she has been experiencing persistent headaches for the past two months. Although a recent check-up ruled out migraines, she continues to struggle with headaches and has difficulty sleeping. The intensity of her headaches tends to worsen on days when she works in well-lit environments, especially during shooting sessions.

Making her silver screen debut in 2013, Nawshaba Ahmed has experienced numerous ups and downs in her career and personal life. Despite the challenges, her ever-optimistic persona is poised to debut in Tollywood after years of experience in the entertainment industry.

With her upcoming film in Tollywood under the direction of Anik Dutta, the film “Joto Kando Kolkatatei” (The Calcutta Case), will present her alongside the esteemed Abir Chatterjee. Nawshaba’s transition to Tollywood signifies a new chapter in her illustrious career. With roles that have earned her acclaim as a talented actress on the theatre stage, television, film, and OTT platforms.

Reflecting on her journey of working in Kolkata, Nawshaba shared, “I have always wished to work with the directors beyond the border, and while working with Anik da, I felt that I could explore my inner artiste.”

The DC superhero film “Blue Beetle” led weekend ticket sales with a modest $25.4 million opening, according to studio estimates Sunday, dethroning “Barbie” from the top spot after a record-setting run that left movie theaters colored pink for a month.

The “Barbie” phenomenon is far from over. Greta Gerwig’s film, which earlier this week became the highest grossing Warner Bros. release ever domestically, nearly managed to stay No. 1 again with $21.5 million in its fifth weekend. It’s up to $567.3 million in North America and an eye-popping $1.28 billion globally.

‘Barbie’: A fearless plunge into the neon pink abyss
The other half of “Barbenheimer” also continues to perform remarkably well for a movie so far into its run.

Christopher Nolan’s “Oppenheimer” took in $10.6 million in its fifth week. With a $285.2 million domestic total, “Oppenheimer” now owns the distinction of being the biggest box-office hit never to land No. 1 at the weekend box office. The previous record-holder for that unlikely stat is 2016’s “Sing,” which grossed $270.3 million in the shadow of “Rogue One: A Star Wars Story” and “Hidden Figures.”

“Blue Beetle,” starring Xolo Maridueña, came in on the lower side of expectations and notched one of the lower debuts for a DC Comics movie. Though earlier planned as a streaming-only release, Warner Bros. elected to put “Blue Beetle,” the first DC movie to star a Latino superhero, into theaters in the late summer, a typically quiet period at the box office.
The production price tag of about $105 million was lower for “Blue Beetle” than the average superhero film. It’s one of the last releases produced under an earlier regime at DC Studios, which James Gunn and Peter Safran took the reins of last year.

The film, directed by Ángel Manuel Soto and written by Gareth Dunnet-Alcocer, drew solid reviews – certainly better than the three previous DC releases this year (“The Flash,” “Black Adam” and “Shazam! Fury of the Gods”). “Blue Beetle” (76% fresh on Rotten Tomatoes) is the rare comic-book film to put a Hispanic cast front and center.

But it also faced some tough luck, and not just in the unexpected staying power of “Barbie” and “Oppenheimer.” Southern California was bracing Sunday for Hurricane Hilary — potentially dampening ticket sales in the region. (Los Angeles was still its top market.) And like recent releases, “Blue Beetle,” which added $18 million internationally, didn’t have its cast available to promote the movie due to the ongoing actors strike.

Universal’s raunchy R-rated canine comedy “Strays” showed even less bite. The film, with a voice cast including Will Ferrell and Jamie Foxx, landed in fifth place with $8.4 million. Comedies have generally struggled in theaters in recent years, but “Strays” had it particularly rough given that its starry cast was unavailable.

“Strays” was very narrowly bested by “Teenage Mutant Ninja Turtles: Mutant Mayhem.” The Paramount Pictures animated release earned $8.4 million in its third weekend, bringing its domestic total to $88.1 million.

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theatres, according to Comscore. Final domestic figures will be released Monday.

1. “Blue Beetle,” $25.4 million.
2. “Barbie,” $21.5 million.
3. “Oppenheimer,” $10.6 million.
4. “Teenage Mutant Ninja Turtles: Mutant Mayhem,” $8.4 million.
5. “Strays,” $8.3 million.
6. “Meg 2: The Trench,” $6.7 million.
7. “Talk to Me,” $3.2 million.
8. “Haunted Mansion,” $3 million.
9. “Mission: Impossible — Dead Reckoning Part One,” $2.7 million.
10. “The Last Voyage of the Demeter,” $2.5 million.